WHITNEY MUSEUM
Summer Program
Installation view. Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, NY, NY.
Summer Program
Infinite Rewrite LIII, 2018 analogue photogram on chromogenic paper, aluminum mount on stacked acrylic base 10.4 x 8.4 x 1.4 in / 26.4 x 21.3 x 3.6 cm unique piece
Huepalcalco / Conversion A, 2018 (Diptych) silver gelatin print / latex and plaster on canvas 50 x 40 x 1.5 in / 40 x 40 x 1.5 in 127 x 101.6 x 3.8 cm / 101.6 x 101.6 x 3.8 cm unique piece
Rancho Grande / Conversion B, 2018 (Diptych) silver gelatin print / latex and plaster on canvas 50 x 40 x 1.5 in / 40 x 40 x 1.5 in 127 x 101.6 x 3.8 cm / 101.6 x 101.6 x 3.8 cm unique piece
Mazatlpilli, 2018 pigment inkjet print with turquoise, jade, coral, onyx, obsidian, tiger’s eye and animal bone 39 x 31 in. / 99 x 78.74 cm unique piece
Installation view. Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, NY, NY.
Installation view. Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, NY, NY.
Caballos / Conversion D, 2018 (Diptych) silver gelatin print / latex and plaster on canvas 50 x 40 x 1.5 in / 40 x 40 x 1.5 in 127 x 101.6 x 3.8 cm / 101.6 x 101.6 x 3.8 cm unique piece
Infinite Rewrite LIV, 2018 analogue photogram on chromogenic paper, aluminum mount on stacked acrylic base 10.4 x 8.4 x 1.4 in / 26.4 x 21.3 x 3.6 cm unique piece
Detail view (1:1 scale) Conversion D, 2018
Infinite Rewrite LVI, 2018 analogue photogram on chromogenic paper, aluminum mount on stacked acrylic base 10.4 x 8.4 x 1.4 in / 26.4 x 21.3 x 3.6 cm unique piece
Detail view (1:1 scale) Mazatlpilli, 2018
Installation view. Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, NY, NY.
Installation view. Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, NY, NY.
Installation view. Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, NY, NY.
Installation view. Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, NY, NY.
Zóquitl / Conversion C, 2018 (Diptych) silver gelatin print / latex and plaster on canvas 50 x 40 x 1.5 in / 40 x 40 x 1.5 in 127 x 101.6 x 3.8 cm / 101.6 x 101.6 x 3.8 cm unique piece
Infinite Rewrite LV, 2018 analogue photogram on chromogenic paper, aluminum mount on stacked acrylic base 10.4 x 8.4 x 1.4 in / 26.4 x 21.3 x 3.6 cm unique piece
Infinite Rewrite LII, 2018 analogue photogram on chromogenic paper, aluminum mount on stacked acrylic base 10.4 x 8.4 x 1.4 in / 26.4 x 21.3 x 3.6 cm unique piece
Infinite Rewrite LI, 2018 analogue photogram on chromogenic paper, aluminum mount on stacked acrylic base 10.4 x 8.4 x 1.4 in / 26.4 x 21.3 x 3.6 cm unique piece
Lateral view
Infinite Rewrite VI, 2016 analogue photogram on chromogenic paper, aluminum mount on stacked acrylic base 10.4 x 8.4 x 1.4 in / 26.4 x 21.3 x 3.6 cm unique piece
Installation view
Installation view
Installation view
WHITNEY MUSEUM - PLW
Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art. Whitney Museum, New York City, NY.
Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art investigates contemporary art practices that preserve and foreground Indigenous American notions of the built environment and natural world. The three words in the exhibition’s title are Quechua, the Indigenous language most spoken in the Americas. Each holds more than one meaning: pacha denotes universe, time, space, nature, or world; llaqta signifies place, country, community, or town; and wasichay means to build or to construct a house. Influenced by the richness of these concepts, the artworks explore the conceptual frameworks inherited from, and also still alive in, Indigenous groups in Mexico and South America that include the Quechua, Aymara, Maya, Aztec, and Taíno, among others. The show features the work of seven emerging Latinx artists based in the United States and Puerto Rico: william cordova, Livia Corona Benjamin, Jorge González, Guadalupe Maravilla, Claudia Peña Salinas, Ronny Quevedo, and Clarissa Tossin. Their works investigate the complex relationship that indigenous and vernacular notions of construction, land, space, and cosmology have had in the history of modern and contemporary art and architecture in the Americas. This exhibition is organized by Marcela Guerrero, assistant curator, with Alana Hernandez, curatorial project assistant.